Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “I heard you come in,” she said. “You’re not busy, are you?”!

Joan answered that she would be very pleased. “The general opinion seems to be that his star is in the ascendant,” Madge answered with a smile; “that all things are working together for his good. It’s rather a useful atmosphere to have about one, that. It breeds friendship and support!”

Poor fellow! She had come to understand that feeling. After all, it wasn’t altogether his fault that they had met. And she had been so cross to him! And then, as fate would have it, the first lesson happened to be the story of Jonah and the whale. Half a dozen shocked faces turned suddenly towards her told Joan that at some point in the thrilling history she must unconsciously have laughed. Fortunately she was alone in the pew, and feeling herself scarlet, squeezed herself into its farthest corner and drew down her veil. “Well, I gather he’s a little fretful,” answered Joan with a smile.